Seasonless (2025-2026) employs slow, affective immersion to elucidate the intertwined destinies of bodies and ecosystems, encouraging contemplation, dialogue, and ethical awareness. It addresses the profound physical, psychological, and cultural ramifications of climate change, centring on Bangladesh, where I was born —one of the world’s most climate-vulnerable nations—while also resonating with my adopted homes in England and Canada. By integrating autobiographical narrative, sustainable material practice, and diasporic perspective, my project foregrounds the intricate interrelations between personal and ecological histories. Drawing upon my experiences of disrupted seasonal cycles, the work laments the erosion of both ecological integrity and cultural heritage in the Anthropocene. Grounded in the traditional Bengali Nakshi Kantha technique, I sew with my hair to create organic, fractal forms inspired by human anatomy. The act of stitching serves as a metaphor for both healing and the regenerative processes found in nature, countering the collective denial and imaginative failures that pervade contemporary responses to the climate crisis. Ultimately, the work advocates for reciprocity and mindful attention to the living world, calling for a paradigmatic shift from modes of exploitation to an ethic of biocentric care.

Mixed Media: Artist’s Hair, Fabric, Bangladeshi cotton Sari, Jute Fibre, Dry Plants, Dry Roots, Acrylic, Mhendi, Ink, Tea Stain, Coffee Stain, Turmeric Stain, Dry leaf, Dry Moss, Dry plant, Tea bag dyed in Mhendi, Paper, Printed on Fabric, Used cotton Quilts, Image Transfer on Saree/ On Fabric, Print on paper or Fabric, Vegetable Organic Dye, Organic Palm Leaf Hand Fans, Fabric Markers, Acrylic Inks, Used Curtain, Used Quilts, Used Fabric.