Through my interdisciplinary phenomenological praxis, I explore my identity as a diasporic, immigrant, peripatetic, and marginalised individual. My work orbits an insatiable quest to understand myself, my ethos, and the universe. As an architect, I disassemble and resurrect lived experiences from both the Orient and the Occident, using my own uprooted hair as a filament to embroider vestments, arabesques, and effigies. I suture strands of my hair—repositories of my DNA—onto textiles, transforming this act into a metaphor for healing and regeneration. This meditative process of collecting, preserving, and sewing my hair elevates everyday materials into a corporeal self-portrait and palimpsest of my existence. Rooted in Bangladesh’s rich textile heritage, particularly Nakshi Kantha, I blend ancestral traditions with contemporary practice. Luxuriant black hair, a matrilineal emblem of feminine beauty, becomes both medium and message. My biocentric art embodies the sutured hope that our eternal wounds may one day bloom into wholeness.